And our week-long celebration list of the Best Films of the 2010s has us more excited than ever about what they might be to you tomorrow.Īs the week goes on, we’ll be posting lists of the decade’s best performances, scenes, scores, and posters, as well as a timeline of the news stories that shaped the last 10 years, and interviews with the filmmakers who made it all happen.īut for now, IndieWire is proud to kick things off with our list of the 100 best movies of the 2010s. By an odd coincidence, 2017 has seen the release of two works that combine the talents of award-winning Hollywood actresses and acclaimed European filmmakers and include such elements as Americans in France working on the fringes of the entertainment industry, intense sibling bonds and a supernatural turn involving an obsession with contacting the spirit world and a brief glimpse of something. If the most vital work of the 2010s has made one thing clear, it’s that movies have never been more things to more people than they are today. And while the decade will no doubt be remembered for the paradigm shifts precipitated by streaming and monolithic superhero movies, hindsight makes it clear that the definition of film itself is exponentially wider now than it was a decade ago. Cinema is in a constant state of flux, but it’s never mutated faster or more restlessly than it has over the last 10 years. When a massive sinkhole appears right in front of Bob's Burgers, the Belcher family's business is once again under water. Perhaps the arrival of James Cameron’s “Avatar” in the waning moments of 2009 could have been seen as a harbinger of strange things to come, but no one in Hollywood has ever lost sleep over a movie that grossed nearly $3 billion. Starring : David Byrne, Chris Giarmo, Jacqueline Acevedo. If you invite us over for brunch and your bookshelf doesn't have our picks for the best comics of 2017, we can write you a citation. Club received the Eisner Award for Best Comic-Related Journalism/Periodical earlier this year, which is pretty damn cool. DVD sales were strong, Netflix was still just a sad little envelope at the bottom of your mailbox, and China was starting to give studios the biggest safety net it ever had. 'While reading great comics is the true reward, The A.V. It came with the added benefit of making the people in charge comfortable with the idea that cinema’s future wouldn’t look all that different from its past. That idea was inflexible, and supported by a century of precedent. Ten years ago, it seemed like we all had a pretty solid idea of movies - what they can do, who they’re for, and where they’re watched.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |